Richard Misrach is one of the most influential photographers of his generation. In the 1970s, he helped pioneer the renaissance of color photography and large-scale presentation that are in widespread practice today. Best known for his ongoing series, Desert Cantos, a multi-faceted approach to the study of place and man’s complex relationship to it, he has worked in the landscape for over 40 years. Other notable bodies of work include his documentation of the industrial corridor along the Mississippi River known as “Cancer Alley”, the study of weather, time, color and light in his serial photographs of the Golden Gate bridge, and On The Beach, an aerial perspective of human interaction and isolation. Recent projects mark departures from his work to date. In one series, he has experimented with new advances in digital capture and printing, foregrounding the negative as an end in itself and digitally creating images with astonishing detail and color spectrum. More recently, he built a powerful narrative out of images of graffiti produced in the aftermath of Hurricane Katrina, made with a 4-megapixel pocket camera. In fall 2012, in collaboration with landscape architect Kate Orff, Misrach launched a major book and exhibition entitled Petrochemical America, which addresses the health and environmental issues associated with our dependency on oil.
Misrach has had one-person exhibitions at the National Gallery of Art, the Art Institute of Chicago, the Los Angeles County Museum of Art, and the Centre Pompidou, Paris, among others. A mid-career traveling survey was organized by the Houston Museum of Fine Arts in 1996. His photographs are held in the collections of most major institutions, including The Museum of Modern Art, the Whitney Museum of American Art and the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC, and the San Francisco Museum of Modern Art. In fall 2010, on the five-year anniversary of Katrina, the exhibition Untitled [New Orleans and the Gulf Coast, 2005] made its debut at the New Orleans Museum of Art and was also shown at the Houston Museum of Fine Arts and the San Francisco Museum of Modern Art. The series, 1991—The Oakland-Berkeley Fire Aftermath, was presented in the fall of 2011 at the Berkeley Art Museum and the Oakland Museum of California, concurrently. The body of work, Revisiting the South: Richard Misrach’s Cancer Alley, was inaugurated at the High Museum of Art in Atlanta, Georgia, in summer 2012 and traveled to the Cantor Arts Center at Stanford University in 2013.
Why i choose this image, that is leading lines, rule of third, nature light and triangle.