Chantal Faust
born Australia 1980
Lap Milk
2007
Chromogenic print
80.0 x 58.0 cm
Collection of the artist
© courtesy of the artist
born Australia 1980
Lap Milk
2007
Chromogenic print
80.0 x 58.0 cm
Collection of the artist
© courtesy of the artist
Chantal Faust
born Australia 1980
Waiting
2007
Chromogenic print
80.0 x 58.0 cm
Collection of the artist
© courtesy of the artist
born Australia 1980
Waiting
2007
Chromogenic print
80.0 x 58.0 cm
Collection of the artist
© courtesy of the artist
Some artists have eliminated the camera altogether, preferring the effects that can be achieved with photograms and digital scans. Other artists have experimented with multiple exposures, mirrored images, irregular lenses and the printing of the usually discarded stubs of negatives. Co-curator and MGA Curatorial Assistant Stella Loftus-Hills says, “Photography has always been tied to abstraction. Some of the first photographs ever produced were abstract and subsequent photographers have sought out abstract compositions in their work.”
One highlight of the exhibition is a selection of works by the iconic Australian photographer David Moore, who experimented with abstract photography alongside his more well-known figurative work. In Moore’s Blue collage (1983) the process of cutting bands of colour from existing photographs to create a new composition celebrates the artist’s imagination above and beyond the camera’s ability to capture content.
Artists include Andrew Browne, John Cato, Jo Daniell, John Delacour, Peter Elliston, Joyce Evans, Chantel Faust, Susan Fereday, Anthony Figallo, George Gittoes, John Gollings, Graeme Hare, Melinda Harper, Paul Knight, Peter Lambropoulos, Bruno Leti, Anne MacDonald, David Moore, Grant Mudford, Harry Nankin, Ewa Narkiewicz, John Nixon, Rose Nolan, Jozef Stanislaw Ostoja-Kotkowski, Robert Owen, Wes Placek, Susan Purdy, Scott Redford, Jacky Redgate, Wolfgang Sievers, David Stephenson, Mark Strizic and Rick Wood.”
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